Showing posts with label pastel. Show all posts
Showing posts with label pastel. Show all posts

Thursday, June 12, 2014

Tropical Fusions (Panels x 4)

Tropical Fusions (Panels x 4) by Kerryn Madsen-Pietsch

Tropical Fusions – all 4 panels together – as a united whole.
The original artwork was an experimental art ‘potpourri’ involving techniques of drawing, collage, opaque and transparent glazing (painting), layering and then even more overlaying, cutting and dividing.


Tropical Fusions (Panels x 4)  

by 

Mixed-media used: pencils – graphite, charcoal, pastel, oil, coloured; soft pastels, impasto gel (acrylic medium), netting, papers – rice, cartridge; natural processed fibres – bagasse (the crushed sugar cane fibre stems); water-based screen-print ink.
Initial work support: 300gsm Arches rag paper – original sheet size 770 × 570 mm – which was divided into quarters toward final completion, then mounted onto four separate canvas panels with a slim green/charcoal/ black edging finish (each size 385 × 285 mm) and grouped/framed as a whole unit.

Original work was:
  • Inspired by nature.
  • For the Group Exhibition: Cross Currents, 2002, Sugarama Gallery, Mourilyan, QLD.
  • Also exhibited: 2002-03, Year of the Outback DPI Flying Arts; (Work was selected for the Flying Arts TOURING Exhibition Regional QLD.)
  • In the artist’s collection.
  • KMP©2002, ©2004, ©2014.
Inspiration/influences
Overall compositional imagery was inspired/influenced from nature drawing/painting studies direct from my local surrounding Far North Queensland tropical environment such as the capturing of:
  • undulating strata layers, rhythms and patterns from the telling timeline surfaces of palm tree trunks
  • Leaves – both actual and implied: of leaf fall, Native Hibiscus Tiliaceus (cottonwood) dried leaves plus others
  • Palm seeds
  • Butterflies and wings – both actual and implied: of the Cairns Birdwing and other
  • Seasonal atmospheric elements and Moon cycles
  • Earthy oxide palettes – of red iron, Indian red, yellow ochre, white, terra-verte, charcoal and blue – of soils, sands, sky, barks, plants, leaves etc.
  • Vessel shapes based on my own fibre receptacle forms
  • Symbology plays an overall important role in the total work.

Thanks for visiting.

Monday, January 20, 2014

Tropical Fusions (Panel 4 of 4)

Tropical Fusions (Panel 4 of 4) by 
Mixed-media artwork on rag paper.
Original work is mounted on a stretched canvas frame support.


Tropical Fusions (Panel 4 of 4) by ©2013 | Redbubble

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Tropical Fusions (Panel 4 of 4) by ©2013 | Redbubble
Framed print example

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Tropical Fusions (Panel 4 of 4) by ©2013 | Redbubble
Card print.




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An experimental art ‘potpourri’ involving techniques of drawing, collage, opaque and transparent glazing (painting), layering and then even more overlaying, cutting and dividing.

Mixed-media:  pencils – graphite, charcoal, pastel, oil, coloured; soft pastels, impasto gel (acrylic medium), netting, papers – rice, cartridge; natural processed fibres – bagasse (from sugar cane stems); water-based screen-print ink.


Support: 300gsm Arches rag paper, size 385 × 285 mm

(Original sheet size 770 × 570 mm divided into quarters.)
Image = Top left hand side panel of four.

At RedBubble - Work Featured in a Group

  • Collage with Traditional Mediums (25.11.2013)


Original work is:

  • From the Group Exhibition: Cross Currents, 2002, Sugarama Gallery, Mourilyan, QLD.
  • Previously Exhibited: 2002-03, Year of the Outback DPI Flying Arts; Selected work for Flying Arts TOURING Exhibition Regional QLD.
  • In the artist’s collection.

Inspiration/influences

Overall compositional imagery was inspired/influenced from nature drawing/painting studies direct from my local surrounding Far North Queensland tropical environment such as the capturing of:
  • undulating strata layers, rhythms and patterns from the telling timeline surfaces of palm tree trunks
  • Leaves – both actual and implied: of leaf fall, Native Hibiscus Tiliaceus (cottonwood) dried leaves plus others
  • Palm seeds
  • Butterflies and wings – both actual and implied: of the Cairns Birdwing and other
  • Seasonal atmospheric elements and Moon cycles
  • Earthy oxide palettes – of red iron, Indian red, yellow ochre, white, terra-verte, charcoal and blue – of soils, sands, sky, barks, plants, leaves etc.
  • Vessel shapes based on my own fibre receptacle forms
  • Symbology plays an overall important role in the total work.



Thursday, July 5, 2012

"Ethereal Beauty" by Kerryn Madsen-Pietsch | Redbubble


"Ethereal Beauty" by Kerryn Madsen-Pietsch 2012©Photography | Redbubble

It’s Zygocactus annual flowering time again. The cool southerly winter winds created some difficulty while attempting to photo up close this hanging little beauty. It was highlighted with sunspots from the afternoon sunlight creating some lovely effects. Taken at home near Innisfail, in tropical Far North Queensland, Australia!

Common name: Zygocactus, Christmas cactus, and Crab’s claw cactus
Botanic name: Schlumbergera truncata Hybrids



Camera/Shoot Details

  • Handheld Pentax K10D, Prime Lens smc Pentax 55mm F1.2
    1/500sec, @F22, ISO 100, manual focus.
  • Photo - Natural state
(This was taken with my very first SLR Lens which I forgot I had and recently rediscovered it in my black camera bag archives. It came with my first ever SLR (late 70’s), a Pentax K1000 also in good working order but ‘neglected in use’ since purchasing a DSLR in 2007.)

Thanks for visiting. 

 

Monday, November 28, 2011

Vessel Scape


Vessel Scape is a subtle minimalist abstract artwork in mixed media.
Th
is is my work entry in the 'Hidden Treasures', annual fundraiser Postcard Show, Cairns Regional Gallery, Dec.2nd - 11th. 2011. All exhibiting diptych format Postcard works are sold by the Silent Auction process.
(Bids to close 2.30pm for 3pm Auction Sunday 11th Dec.)

Continuing on with my vessel theme for this annual event, the work investigates spatial and ethereal qualities, relationships between physical and non-physical realms, spaces between, states of stillness and an in-between knowing.

Vessel Scape - Diptych: 2 (8×6inches).
Medium: pastel, charcoal, gesso, ink
 Support: Arches 300gsm rag paper,
MDF board backing support.
POEM
Notions/thoughts -
 
Oft times we linger
In that space
Between
Neither here, nor there
Nor anywhere really
Sitting quietly, meditating
Not striving, just arriving
Being here and now
With presence of
An awareness
Of a life-giving breath
Of spirit
Being

In a physical world
There is a strong sense
Of the sublime
In the inner quiet
In the calmness 
Of spatial
The ethereal

- Qualities of floating
Delicate

Light

Spaciousness

Consciousness/light
Traces
Physical contour markings
Over implied grid coordinates
Passages
Meeting points
Connections
Relationships
Inferred
In time/distance
Traveled
Touched

Spaces between
Stillness,
Knowing-ness
Presence
In spaces between.

 ©Kerryn Madsen-Pietsch
All rights reserved
 . . .



Vessel Scape by K.Madsen-Pietsch
Card print @ Redbubble 






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Edited/Updated
~ 4.12.2011

~ 1.09.2014
~ 6 Feb. 2018

Thursday, July 8, 2010

Fairweather Man

Woohoo.

Last night I was immediately attracted to a facebook friend's post which simply went like this -
"I paint, dammit!" Ian Fairweather

After I read the follow up discussions with reference being made to Ian Fairweather's life and 'hypocritical' friends in some documentary, I just had to ask was there anywhere one could get this, if available.

And sure enough, as I suspected, the answer I got references back to the link on my blog post made July 27, 2009. ABC has now apparently produced a DVD of the TV documentary. Yeah!

So after ordering the product online last night, along with the amazing Shannon Lush's new book 'Stainless', I now (patiently) await 1-2 weeks for delivery of the goods.




Artwork:  Interconnected.  Mixed media on A0 size paper.
Work sold. In Private Collection - Brisbane.