Showing posts with label fine art. Show all posts
Showing posts with label fine art. Show all posts

Thursday, September 5, 2024

' Heart Matters' ~ Art & Design by Kerryn Madsen-Pietsch | Redbubble


Heart Matters

by ©Kerryn Madsen-Pietsch 
Art Prints available @ Redbubble


I produced this digitally manipulated artwork image using Photoshop, having initially worked from a dig. photo of a work-in-progress - of my lino-printed composition using three different plates.
 
 
Heart Matters
by
©Kerryn Madsen-Pietsch 
Card available @ Redbubble
  

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Chiffon Top available @ Redbubble


 

 

Heart Matters Pillow

Designed by ©Kerryn Madsen-Pietsch
Available @ Redbubble

 
 
 
 
 
...Thanks for visiting...

Tuesday, November 20, 2018

Friday, October 11, 2013

There is ‘A Time for Everything …’

'Cointreau' Still-Life on Shoebox Paper by Kerryn Madsen-Pietsch ©2013

Once upon a time …

… an older compositional work went through several metamorphic art technique processes in order to be transformed. The original inspired cubist-influence image was reproduced onto a black tonal copier film transparency. This was then used to create a photographic screen-print stencil form via a light exposure technique. It’s owner, once happy with a satisfactory screen image result (i.e. not too thick, not too thin so the fine newsprint text would print OK ~ this took a couple of time consuming and costly efforts BTW), then began to experiment with direct hands-on screen-printing the photographic stencil image, onto various selected paper and fabric surfaces.

Still-Life Cointreau on Shoebox Paper is a ‘unique state’ image, screen-printed with black water-based screen-printing ink onto an irregular sheet of recycled paper. The paper's former state was once scrunched up but now flattened out, wrinkles and all.  It is a natural organic type of textured light tissue paper, found in owner's acquired shoe boxes at the time.

This newly transformed composition pulls the work even further toward it’s Cubist intent.
  • “The Cubist painters rejected the inherited concept that art should copy nature, or that they should adopt the traditional techniques of perspective, modeling, and foreshortening. They wanted instead to emphasize the two-dimensionality of the canvas. So they reduced and fractured objects into geometric forms, and then realigned these within a shallow, relief-like space. They also used multiple or contrasting vantage points.” ~ Cubism (metmuseum.org)
  • “In Cubist artwork, objects are analyzed, broken up and reassembled in an abstracted form—instead of depicting objects from one viewpoint, the artist depicts the subject from a multitude of viewpoints to represent the subject in a greater context.3” ~ Cubism, From Wikipedia


There is ‘a time for everything …’
This work has never appeared before in the public arena until this month – October, 2013. After another minor transformation for it's presentation, i.e. mounted onto a 16″ × 12″ canvas for hanging, the work has made it’s debut at the Cairns Regional Gallery. It is being exhibited and is for sale (via the silent bidding process), as part of their Annual Fundraising event ~ ‘The Affordable Art Auction’ 4 – 18 October, 2013.

'Cointreau' Still-Life on Shoebox Paper by 

 Mounted print with border |Redbubble


'Cointreau' Still-Life on Shoebox Paper by 

   Framed Print |Redbubble

 Thanks for visiting.

Thursday, February 23, 2012

"Flow Between 1" by Kerryn Madsen-Pietsch | RedBubble


"Flow Between 1" by Kerryn Madsen-Pietsch ©2012
What:  Mixed media work: compressed charcoal, acrylic, paper collage on 200gsm cartridge paper.
The original work is on size paper 420 x 297 mm (A3).
Note ~ The space around the image here has been cropped down slightly for reproduction printing purposes.

Method: The compositional work employs a combination of gestural, contour drawing/painting techniques and has been worked directly from a life model.

About:  In the same life drawing session I completed several similar quick session life drawings that were all composed/grouped together on the one large sheet of cartridge paper. I later cut out and collaged what I thought the most successful images onto each their own larger A3 paper sheet  The delicate compositional balance of spacing around each of these images requires it's own problem solving.

My subject approach focuses on depicting dynamic energies through application of quick gestural, contour mark making and accentuation on spatial relationships ie. between figure-ground, negative-positive, ambiguity, unification, spaces between.

"Flow Between 1" by Kerryn Madsen-Pietsch | RedBubble - Framed Print

Other Artistic Points
The principle of figure/ground is one of the most basic laws of perception.
'Gestalt' is a psychology term which means "unified whole".
Ref. The Gestalt Principles
SIMILARITY / CONTINUATION / CLOSURE / PROXIMITY / FIGURE - GROUND.
http://graphicdesign.spokanefalls.edu/tutorials/process/gestaltprinciples/gestaltprinc.htm

"Flow Between 1" by Kerryn Madsen-Pietsch | RedBubble - Card

 Thanks for visiting.

Saturday, February 4, 2012

"Togetherness " by Kerryn Madsen-Pietsch | RedBubble

Everything is refreshed after a very early morning tropical rain shower during our hot and humid 2011-2012 (much anticipated/delayed) ‘wet’ season.
Day/night temp’s fluctuate usually between 25 – 33 degrees Celsius.

You will only see these multiple bulbous green creeper vine plants with their rich and vibrant flaring ‘fire-flame’ flowers growing usually over all other plants in the garden at this time of year.

(The vampire sucking mozzies were pretty full on too!)

Photo Shoot taken - 1 Feb.2012 Time 6:11:35 AM
Location – Innisfail, Far North Queensland, Australia.

"Togetherness " by Kerryn Madsen-Pietsch | RedBubble:

Togetherness (Fire-Flame Flowers) ©KMP2012
"Togetherness " by Kerryn Madsen-Pietsch | RedBubble

Thursday, December 22, 2011

"Soft Impressions" by Kerryn Madsen-Pietsch | RedBubble

"Soft Impressions" by Kerryn Madsen-Pietsch | RedBubble:
December 14th early morning sunrise ~ photo taken from the Innisfail Wharf, overlooking the Johnstone River, Innisfail, Far North Queensland, Australia.

Soft Impressions by K.Madsen-Pietsch, 2011
Soft Impressions was post edited in CS2 with the work of the wonderful artist William Turner being recalled to mind.

Monday, November 28, 2011

Vessel Scape


Vessel Scape is a subtle minimalist abstract artwork in mixed media.
Th
is is my work entry in the 'Hidden Treasures', annual fundraiser Postcard Show, Cairns Regional Gallery, Dec.2nd - 11th. 2011. All exhibiting diptych format Postcard works are sold by the Silent Auction process.
(Bids to close 2.30pm for 3pm Auction Sunday 11th Dec.)

Continuing on with my vessel theme for this annual event, the work investigates spatial and ethereal qualities, relationships between physical and non-physical realms, spaces between, states of stillness and an in-between knowing.

Vessel Scape - Diptych: 2 (8×6inches).
Medium: pastel, charcoal, gesso, ink
 Support: Arches 300gsm rag paper,
MDF board backing support.
POEM
Notions/thoughts -
 
Oft times we linger
In that space
Between
Neither here, nor there
Nor anywhere really
Sitting quietly, meditating
Not striving, just arriving
Being here and now
With presence of
An awareness
Of a life-giving breath
Of spirit
Being

In a physical world
There is a strong sense
Of the sublime
In the inner quiet
In the calmness 
Of spatial
The ethereal

- Qualities of floating
Delicate

Light

Spaciousness

Consciousness/light
Traces
Physical contour markings
Over implied grid coordinates
Passages
Meeting points
Connections
Relationships
Inferred
In time/distance
Traveled
Touched

Spaces between
Stillness,
Knowing-ness
Presence
In spaces between.

 ©Kerryn Madsen-Pietsch
All rights reserved
 . . .



Vessel Scape by K.Madsen-Pietsch
Card print @ Redbubble 






*
Edited/Updated
~ 4.12.2011

~ 1.09.2014
~ 6 Feb. 2018

Tuesday, November 15, 2011

ART PRACTICE - Face to Face

While working, rustling amongst my collage bits and pieces today I pulled out this quote I'd jotted down on a small scrap piece of paper.
"Art is coming face to face with yourself" ~ Jackson Pollock 
Why do people from an early age, stop and avoid creating any art?
Why do people say they cannot understand art but amazingly know what they 'like'?
Why do people turn their brain, heart, feelings off to their powerhouse of potential creativity in their lifetime?
Answer?  Conditioning, emotions, illusions ~ from both within and from without.  Barriers are built up, comfort and safety zones established.

It has been said, many times, 'It takes courage to create.'
‘Be brave enough to live life creatively. The creative is the place where no one else has ever been. You have to leave the city of your comfort and go into the wilderness of your intuition. You can’t get there by bus, only by hard work and risk and by not quite knowing what you are doing. What you’ll discover will be wonderful. What you’ll discover will be yourself.’ ~ Alan Alda
 My work Tango
TANGO, 9" x 5"Acrylic Painting on Ply-board.
Chosen here because it's a great reminder that we all need to 'tango', dance with our creative source, in a personal, individual way, face to face and learn from the experience.
Plato said ‘We can easily forgive a child who is afraid of the dark; the real tragedy of life is when men are afraid of the light.’ 
‘You gain strength, courage, and confidence by every experience by which you really stop to look fear in the face. You are able to say to yourself, “I can take the next thing that comes along”.’ Eleanor Roosevelt

And then, once we've had the courage to create our artworks, Picasso states "Art is never finished, only abandoned."  

So we need to continually come face to face, come to the dance, over and over, keeping the creative rivers inside ebbing and flowing. The rewards? Living a life of infinite discovery, continuously turning straw into gold!

Thanks for visiting.


Monday, April 11, 2011

Juxtapositions

Photography Prints

One of my earlier oil paintings on canvas that I hold in my own artist collection.  Original Size - H 805 mm x W 1005 mm x D 40 mm.  Female figures were first drawn/painted directly from different life models onto canvas. Then the combination of images were further developed creating the colourful abstract composition.

The work image has been professionally documented and made available for giclee prints on demand at my two online printing sites.

Artropica Innisfail Studio Gallery Fine Art
Note - One can click on a section of the work, see the enlarged section view (of the actual file size loaded up), check out the quality and artistic detail.  (Just love this unique site feature.)

My RedBubble Gallery

Tuesday, March 8, 2011

Collaborative Screen-Printing Project '96-'97 (Part 1)


'Tropical Inspirations' 1996-97
Medium - Fabric Paint
Support - Cotton Sateen Fabric
Technique - Hand screen-printed imagery using several stencil techniques & designs
i.e. Combination of paper stencil, photographic and wax screen designs.
Height 1200 mm x Width 2000 mm

Background

First half of 1996 I had attended 2 (10 x 3hr per week) Screen Printing Tuesday night courses at the new Screen Printing Studio (converted from an old tractor shed) located at the new developing Tanks Art Centre site, EdgeHill, Cairns. Rae O'Connell was the then newly employed coordinator/screen-printing instructor of the Studio by Cairns City Council.  Rae had moved from Darwin where she had been operating her own successful textile design and screen-printing business. 

Even though it was a long one hour plus drive from Innisfail to Cairns in the evening and then back again, (5 hours all up round total incl.class) I successfully went for two terms because I felt there was much more to learn and skills to develop even though the tutor Rae only covered and delivered the same basic level techniques each time.  Having access to the equipment and the large printing table allowed me to produce designs for final individual products.

Applying for a RADF Project Grant
Eager to go another level, in the latter of 1996 I instigated and applied for a Regional Art Development Funded (RADF) project grant from the then Johnstone Shire Council and was successful. It involved employing Rae as the professional tutor and getting local community workshop participants to learn and apply screenprinting techniques and designs to a collaborative site specific artwork at Good Counsel College (GCC), Innisfail, Far North Queensland.

Workshops
I both coordinated and participated in the 6 x 2 days (weekends) screenprinting workshops, five of which were held at the Art room, GCC, Innisfail and the other to access equipment at the Screen-Printing Studio, Tanks Art Centre in Cairns. These were conducted during the months of October through to December, 1996.

Design Briefing
There was the initial design brief and concept process between the school principal, overseer tutor Rae O'Connell and participants. My overall concept design was chosen and the hard work commenced. It took approximately another 6 weeks after the workshops, by myself during the school holiday time, to finish off all sections and resolve the border for its final completion.

Eventual Hanging
The large screenprinted fabric was sent to a prof. framer in Cairns to be stretched, framed (without glass) with a rounded white lacquered profile moulding. Eventually it gets hung in the school's administration block but is later on removed to make way for a large official school wooden plaque of names!  After some time sadly neglected in the admin's 'storage room', the school's Librian takes charge and makes claim to hanging Tropical Inspirations proudly in the Library's teaching room area where it can still be viewed today by the school's many students and teachers.

Tropical Inspirations ~ Detail Section (1)
Tropical Inspirations ~ Detail Section (1)


 Tropical Inspirations ~ Detail Section (2)
Tropical Inspirations ~ Detail Section (2)



*Note ~ I have documentary photos of the RADF project in progress but at the present time I don't the time to scan and load up some of these images for showing due to shop work commitments.

(To be continued at a later date...)

......................................

Thursday, July 8, 2010

Fairweather Man

Woohoo.

Last night I was immediately attracted to a facebook friend's post which simply went like this -
"I paint, dammit!" Ian Fairweather

After I read the follow up discussions with reference being made to Ian Fairweather's life and 'hypocritical' friends in some documentary, I just had to ask was there anywhere one could get this, if available.

And sure enough, as I suspected, the answer I got references back to the link on my blog post made July 27, 2009. ABC has now apparently produced a DVD of the TV documentary. Yeah!

So after ordering the product online last night, along with the amazing Shannon Lush's new book 'Stainless', I now (patiently) await 1-2 weeks for delivery of the goods.




Artwork:  Interconnected.  Mixed media on A0 size paper.
Work sold. In Private Collection - Brisbane.

Saturday, June 12, 2010

Publications - Tablelands, Perimeters and Parameters 2010 Exhibition


Sixteen Far North Queensland regional artists, all members of the Kuranda Arts Cooperative
participated in the curated Exhibition, Tablelands, Perimeters and Parameters,
held at the Tableland Regional Gallery, Atherton, Feb. 2010.

For my records the following is a collection of the published.materials for the exhibition.
 (Click on the images for a larger view to read the print)
_________________________________________________________________________________

2010 DL Invitation
 Front
TPP - Front of DL Invitation 2010





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Back
TPP- Back of DL Invitation  2010


 _______________________________________________________________________________


 2010 TPP Exhibition_pp8  Catalogue p.06



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The Kuranda Paper Review
March 2010 Issue 208

The Kuranda Paper Review - March 2010, Issue 208
________________________________________________________________________________


ART MONTHLY Review
2010 April, Issue 228

ART MONTHLY Review
2010 April, Issue 228
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